The Sans Souci was a nightclub within a natural environment and located seven miles outside of Havana. It had a restaurant and floor shows nightly that attracted a great number of tourists. Its greatest profits came from an amusement arcade operating in a small room next door to the Sans Souci that was not advertised since there was no official license for its exploitation.
The 1956 the Cabaret Yearbook describes the venue as "Usually run by Americans, Sans Souci Cabaret is located in a Spanish-type villa. Stage, dance floor and tables are under the moonlight. Shows, like at the other Big Three nightclubs, are production numbers with name acts. Good-looking U.S. showgirls are an added attraction. Sans Souci, as well as Tropicana and Montmartre, has a gambling room with roulette, craps and chemin de fer, etc. Located even further out than Tropicana, Sans Souci usually opens only for the winter season." (Full article...)
Image 7A 1736 colonial map by Herman Moll of the West Indies and Mexico, together comprising "New Spain", with Cuba visible in the center. (from History of Cuba)
Image 17Rebel leaders engaged in extensive propaganda to get the U.S. to intervene, as shown in this cartoon in an American magazine. Columbia (the American people) reaches out to help oppressed Cuba in 1897 while Uncle Sam (the U.S. government) is blind to the crisis and will not use its powerful guns to help. Judge magazine, 6 February 1897. (from History of Cuba)
Image 18Banrarra Afro-Cuban dance troupe (from Culture of Cuba)
... that José Ramón Balaguer fought as a soldier-medic for Fidel Castro's rebel army before becoming Cuba's minister of public health?
... that after his movement's victory in the Cuban Revolution, television broadcasts showed Camilo Cienfuegos freeing parrots from birdcages, declaring that the birds had "a right to liberty"?
Eusebia Cosme Almanza (5 March 1908 – 11 July 1976) was a Cuban poetry reciter and actress who gained widespread fame in the 1930s. Because of racial segregation, Cosme did not pursue an acting career in the traditional Cuban theater, instead focusing on the art of declamation, or poetry reading. She was the sole Cuban woman and one of the few black women to participate in African-themed declamation. Her performances went beyond reciting the poems, as she used gestures, facial expression and vocal rhythm to convey the emotion of the written word. Focusing on works that served as social commentary on race, gender, and the disparity of the position of blacks in both Latin America and the United States, Cosme was recognized as a master of her craft. Beginning her career in variety shows, she performed in Cuba until the late 1930s, before embarking on international tours.
In 1938, Cosme moved to the United States. She became a naturalized US citizen in the 1940s. She performed to sold-out houses at venues including Carnegie Hall, The Town Hall, and historically black universities. She performed with both Marian Anderson and Langston Hughes, and brought the works of African-American poets to Hispanic audiences via The Eusebia Cosme Show, which aired on CBS Radio from 1943 to 1945. She performed recitations in the United States through the late 1950s, worked as an abstract painter in the 1960s, and began acting in film and television in 1964. Cosme lived in Mexico City from 1966 to 1973, when she appeared in such films as The Pawnbroker and White Roses for My Black Sister. Her most noted role was as "Mamá Dolores", which she played repeatedly in her career. She first played this character, from Felix B. Caignet's radio drama El Derecho de nacer (The Right of Birth), in a 1955 stage performance in New York City. She repeated it in both the 1966 film and telenovela by the same name. In 1971 she filmed a spin-off, Mamá Dolores. Her performance in the 1966 film was recognized with the Premio Ónix as best actress. (Full article...)
Julio Antonio Mella McPartland (born Nicanor McPartland; 25 March 1903 – 10 January 1929) was a Cuban political activist, journalist, communist revolutionary, and one of the founders of the original Communist Party of Cuba. Mella studied law at the University of Havana but was expelled in 1925. He had worked against the government of Gerardo Machado, which had grown increasingly repressive. Mella left the country, reaching Central America. He traveled north to Mexico City, where he worked with other exiled dissidents and communist sympathizers against the Machado government. He was assassinated in 1929, but historians still disagree on which parties were responsible for his death. The 21st century Cuban government regards Mella as a communist hero and martyr. (Full article...)
...that when the Banking sector in Cuba came under the control of the new regime after the Cuban Revolution of 1959, Fidel Castro asked if there were an economista in the room during an inaugural meeting? And that Che Guevara put his hand up mistakenly believing the request was for a communista, and subsequently became President of the National Bank of Cuba?
We are satisfied that each and every one of us has fulfilled our duty to our nation.
”
Economist Marta Beatriz Roque after organizing the Assembly for the Promotion of Civil Society in Cuba, a rally calling for political change on the island.
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