Rita Lee

From Wikipedia, the free encyclopedia

Rita Lee
Lee in 2010
Born
Rita Lee Jones

(1947-12-31)31 December 1947
São Paulo, Brazil
Died8 May 2023(2023-05-08) (aged 75)
São Paulo, Brazil
Occupations
  • Singer
  • songwriter
  • actress
  • author
  • TV host
Years active1966–2023
Musical career
Genres
Formerly ofOs Mutantes
Websiteritalee.com.br
Signature

Rita Lee Jones[a] (São Paulo 31 December 1947 – 8 May 2023) Rita Lee Jones de Carvalho was a Brazilian singer, songwriter, multi-instrumentalist, presenter, actress, writer, and activist. Known as the "Queen of Brazilian Rock," she sold more than 55 million records, making her the most successful female artist by record sales in Brazil and the fourth overall, behind Tonico & Tinoco, Roberto Carlos, and Nelson Gonçalves. She built a career that started with rock but over the years flirted with various genres, such as psychedelia during the tropicalia era, pop rock, disco, new wave, pop, bossa nova, and electronic, creating a pioneering hybrid between international and national genres.

Rita was considered one of the most influential musicians in Brazil, being a reference for those who began the greater use of electric guitars from the mid-1970s. A former member of the group Os Mutantes (1966–1972) and Tutti Frutti (1973–1978), she participated in important revolutions in the world of music and society. Her songs, often filled with biting irony or a claim of female independence, became omnipresent on the charts. Among the most popular are "Ovelha Negra," "Mania de Você," "Lança Perfume," "Agora Só Falta Você," "Baila Comigo," "Banho de Espuma," "Desculpe o Auê," "Erva Venenosa," "Amor e Sexo," "Flagra," and "Doce Vampiro." The album "Fruto Proibido" (1975), released with the band Tutti Frutti, is commonly seen as a fundamental landmark in the history of Brazilian rock, considered by some as her masterpiece.

In 1976, she began a romantic relationship with multi-instrumentalist and composer Roberto de Carvalho, who was the partner in most of Rita's compositions. They had three children, including guitarist Beto Lee, who accompanied his parents in live shows. Rita was vegan and an animal rights advocate. With a sixty-year career, the artist transitioned from the innovation and musical underground of the 1960s and 1970s to the very successful romantic ballads of the 1980s and a musical revolution, performing with numerous artists, including Elis Regina, João Gilberto, and the band Titãs. In October 2008, Rolling Stone magazine promoted a list of the hundred greatest artists in Brazilian music, where she ranks 15th. In 2023, Rita, who had been diagnosed with lung cancer two years earlier, died at the age of 75 on May 8, 2023.

Early life and education[edit]

Born on New Year's Eve into a middle-class family in São Paulo, Rita is the youngest daughter of dentist Charles Fenley Jones (1904–1983), a São Paulo native descended from Confederate immigrants from Alabama and Tennessee who settled in Santa Bárbara d'Oeste, and Romilda Padula, nicknamed Chesa (1904–1986), also from São Paulo, daughter of Italian immigrants from the Molise region in southern Italy. Her parents had two other daughters: Mary Lee Jones and Virginia Lee Jones. Lee is a compound name that their father wanted to give all his daughters in honor of General Robert E. Lee of the Confederate Army. Originally, her first name was planned to be Barbara, in honor of the saint, but at the time of the baptism, they decided to honor her maternal grandmother, whose name was Clorinda but had the nickname Rita.

She was born and raised in the Vila Mariana neighborhood of São Paulo, where she lived until the birth of her first child. In interviews, she revealed that this neighborhood was special to her, as it held a large part of all the best memories of her life. She was educated at the Franco-Brazilian school Liceu Pasteur; she was multilingual and spoke Portuguese, English, French, Spanish, and Italian fluently. She enrolled in the Social Communication course at the University of São Paulo in 1968, in the same class as actress Regina Duarte. Like Regina, she dropped out the following year.

During her childhood, she took piano lessons from classical musician Magdalena Tagliaferro. She didn't think of becoming a rock singer but wanted to be a movie actress, veterinarian, or the profession her father wanted, a dentist. Her first musical influences were Elvis Presley, Neil Sedaka, Paul Anka, Peter, Paul and Mary, the Beatles, and the Rolling Stones, but she also listened to Brazilian music like Cauby Peixoto, Angela Maria, Tito Madi, João Gilberto, Emilinha Borba, Carmen Miranda, Dalva de Oliveira, and Maysa due to her parents' influence.

In her teenage years, she became interested in music and composed her first songs. Together with some friends, she began performing in local clubs as part of "Tulio's Trio." In 1963, she formed a musical group with two other girls, the Teenage Singers, who did small shows at school parties. The following year, they met the male trio Wooden Faces. That same year, she made her first recording as a vocalist for an album by Prini Lorez. The Teenage Singers and Wooden Faces joined forces, forming the Six Sided Rockers, a band that later became known as "Os Seis," and they recorded a single with two songs.

After three members left, Rita and the brothers Arnaldo and Sérgio Dias Baptista remained. The trio called themselves Os Bruxos. However, they were not satisfied with this name and wanted to change it before their appearance on the debut of the TV Record show O Pequeno Mundo de Ronnie Von in 1966. According to Carlos Calado, the idea for the name "Os Mutantes" came from an ironic joke by Alberto Helena Júnior, the show's producer, with Ronnie Von, who at the time was reading Empire of the Mutants by Stefan Wul and wouldn't stop talking about it. "Are you still looking for a name for the boys' band? Why not The Mutants?" Ronnie Von liked Alberto Helena's idea and brought it to the group, who immediately approved it.

Career[edit]

In 1966, Lee formed the band Os Mutantes with Arnaldo Baptista and Sérgio Dias. The band released five albums between 1968 and 1972. In that time, Lee also released her first two solo works, although these records were produced with fellow members of Os Mutantes. When the band reformed in 2006, she refused to join, calling the reunion an attempt to "earn cash to pay for geriatry".[1]

Lee formed a band with two other friends, excelling at vocals so much that they backed stars such as Tony Campelo, Jet Blacks, Demetrius, and Prini Lopez, when they met the brothers Arnaldo and Sérgio Dias Baptista. Adopting the name O'Seis (a pun with "the six" and the Brazilian caipira way of saying "you all"), they recorded the single "O Suicida," which was never released. When the rest of the band left for college, only three of them remained. Picking the name Os Mutantes, they backed Nana Caymmi on her then-husband's composition "Bom Dia" (Gilberto Gil). When Gil met them, he immediately knew Os Mutantes were on the same track as the Baianos, and the band worked extensively with the members of the Tropicalia collective over the next two years, becoming an integral part of the movement. Gil Invited them to accompany him at TV Record's 1967 III Festival da MPB, where they performed Gil's "Domingo no Parque" with the addition of Rogério Duprat conducting an orchestra with his revolutionary arrangements. Gil's friend Caetano Veloso also performed with a rock group (São Paulo band Beat Boys), and although the novelty of electric instruments and the general irreverence of the mixing of western pop and strange orchestral sounds irritated some in the festival audience, both performances ultimately won approval, with Gil coming second and Veloso taking fourth place. Within a year, however, the nascent Tropicalia movement would face strident opposition from both the military junta that ruled Brazil at the time, and from Brazil's student left, who regarded the Tropicalistas' dalliance with Western pop as a sell-out. Soon after, Os Mutantes recorded their single "O Relógio".

Rita Lee, 1972 with Os Mutantes. National Archives of Brazil

In 1968, Os Mutantes performed on the album/manifesto Tropicália ou Panis et Circensis (Philips), with Nara Leão, Caetano Veloso, Gilberto Gil, Gal Costa, and Tom Zé. This was also when they recorded their first LP, Os Mutantes, and they also backed Gilberto Gil on his second self-titled solo album. In September 1968, Os Mutantes backed Caetano Veloso during his two notorious performances in TV Globo's Third International Song Festival in Rio. The ensemble was met with howls of disapproval from leftist students in the audience at their first-round appearance, due to their challenging psychedelic music, as well as Veloso's lurid costume, and his sexually provocative stage moves. The confrontation climaxed in the second round of the competition on 15 September, when Veloso performed his newly-written psychedelic protest song "É Proibido Proibir" ("It is Forbidden to Forbid"). Left-wing students in the audience (who were strongly opposed to the Tropicalismo experiment) loudly abused, booed and jeered the performers, and pelted the stage with fruit, vegetables and paper balls. A large group in audience showed their disapproval by turning their backs to the stage, prompting Lee and her bandmates to turn their backs on the audience, and Veloso responded angrily to the heckling, haranguing the students at length for their conservatism.[2] The group also performed their "Caminhante Noturno", which won seventh place. In the same year, they participated at the IV FMPB with their "Dom Quixote" and, by Lee and Tom Zé, "2001". At the end of this year, they performed with the Baianos at the Sucata nightclub, Rio, and recorded their second album, also self-titled.

In 1969, following the arrests of Gil and Veloso, Os Mutantes went to Europe, playing in Cannes, France, at the MIDEM, and in Lisbon, Portugal. Then, they returned to Brazil and presented the show O Planeta dos Mutantes, the first multi-media experiment in Brazil. With bassist Liminha and drummer Dinho, they participated in the V FIC with "Ando Meio Desligado" (Arnaldo and Rita).

In 1970, Lee recorded her solo album, Build Up, produced by Arnaldo Baptista. Soon after, they had a stint at the Olympia in Paris. In that period, during their somewhat frequent tours in Europe, they recorded an LP that was never fully released, Tecnicolor, with the exception of some tracks included on 1971's Jardim Elétrico. The LP, A Divina Comédia ou Ando Meio Desligado, is from that year and Jardim Elétrico (Polydor) from the next. In 1972, Lee recorded another solo album backed by Os Mutantes, Hoje É o Primeiro Dia do Resto da Sua Vida (Philips). After releasing the Mutantes e Seus Cometas no País do Baurets, Lee was ejected from the group by Arnaldo.[3] Following a period of depression, during which she became locked up in her home,[citation needed] she decided to abandon her career, but, at the same time, she was writing the material that would make her famous as a solo artist.[4]

Going solo[edit]

Rita Lee in 2009

Following her departure from Os Mutantes in late 1972, Lee started a solo career. She was initially part of a female duo with singer Lúcia Turnbull called Cilibrinas do Éden, and after a short time the duo met Lisergia, a band that would eventually become Lee's backing band with the name of Tutti Frutti. In 1974, the band recorded their first album Atrás do Porto Tem Uma Cidade (There is a City Behind the Harbor) that brought some great songs such as "Mamãe Natureza", "Menino Bonito", and "Pé de Meia".[5] In 1975, she recorded the album Fruto Proibido with the band. The album was praised by critics, sold more than 200,000 copies – a record to Brazilian rock and roll singers at the time[citation needed] – and Lee was given the title "Queen of Rock".[6] In 2007, the Brazilian edition of Rolling Stone magazine ranked this album as the 16th-best Brazilian album of all time in its "100 Best List".[citation needed] The producer was Andy Mills, producer of Alice Cooper and then Lee's boyfriend.[6]

In the late 1970s, Lee started a partnership with her husband, Roberto de Carvalho, and many subsequent albums were credited to the duo Lee/Carvalho.[7] In the late 1970s, Lee was mentioned in the Caetano Veloso song, "Sampa".

In 1976, pregnant for the first time, she was arrested for possession of marijuana and sentenced to one year of house imprisonment, when she composed with Paulo Coelho the single "Arrombou a Festa", which sold 200,000 copies. She continued to perform, under special judicial permits. Soon thereafter, she recorded the single "Doce de Pimenta" with singer Elis Regina, and recorded and toured with Gilberto Gil with the show/album Refestança.

In 1978, she released Babilônia, her fourth and last album with the band Tutti Frutti. The last work came after disagreements between members of the band. The guitarist Luis Carlini left the band, taking the name Tutti Frutti with him. Lee and the rest of the band finished the tour under the name Rita Lee & Cães e Gatos.[5] Lee started recording with her husband, Roberto de Carvalho. The couple wrote hits such as "Mania de Você" (1979), "Lança Perfume" (1980), "Saúde" (1981), "Flagra" (1982), and "On the Rocks" (1983).[8]

Other activities[edit]

Aside from her musical career, Lee had a comedy program called Radio Amador on Brazilian radio for nine months in 1986. That same year, Lee wrote three children's books and appeared in Brazilian movies and TV shows. In 1990, she started her own talk show, called TvLeeZão (a play on "televisão", the Portuguese word for television), on MTV Brasil. From 2002 to 2004, she hosted the Brazilian cable TV talk show Saia Justa. In 2005, she and her husband started a new talk show, called Madame Lee. She worked as actress in the 1989 film Better Days Ahead and made a brief cameo in the 2002 film Durval Discos. In 2008–09, she performed a new show called Pic Nic Tour. In 2010, she performed another new show called Etc...Tour, revisiting some forgotten songs from her long career. In 2011, she began to produce and record two new albums. The first one had then new unreleased songs, and the second one is called Bossa'n Movies where she continued the project started with Bossa'n Roll in 1991 and Bossa'n Beatles (Aqui, ali, em qualquer lugar).

In 2011, she contributed the track "Pistis Sophia" to the Red Hot Organization's most recent charitable album, Red Hot+Rio 2. The album was a follow-up to the 1996 Red Hot + Rio. Proceeds from the sales were donated to raise awareness and money to fight AIDS and related other health and social issues.[citation needed]

Personal life and death[edit]

Lee was married to Mutante Arnaldo Baptista from 1968 to 1972. In 1976, MPB singer Ney Matogrosso introduced her to guitarist Roberto de Carvalho, whom she married, and they had three children: Beto Lee, João Lee, and Antônio.

Lee died at her home in São Paulo on 8 May 2023, at the age of 75.[9] She had been in treatment for lung cancer for over a year before her death.[10] Brazilian musicians and celebrities, such as Lulu Santos and Xuxa Meneghel, and politicians including the President of Brazil Luiz Inácio Lula da Silva and various of his ministers, lamented her death and exalted Lee.[11][12]

Discography[edit]

Studio albums[edit]

Live albums[edit]

  • Refestança (With Gilberto Gil) (1977)
  • Rita Lee em Bossa n Roll (1991)
  • A Marca da Zorra (1995)
  • Acústico MTV (1998)
  • MTV Ao Vivo (2004)
  • Multishow Ao Vivo (2009)

International albums[edit]

  • Baila Conmigo (1982)

with Os Mutantes[edit]

Books[edit]

  • 1986: Dr. Alex
  • 1988: Dr. Alex e os Reis de Angra
  • 1990: Dr. Alex na Amazônia
  • 1992: Dr. Alex e o Oráculo de Quartz
  • 2013: Storynhas
  • 2016: Rita Lee: Uma Autobiografia
  • 2017: Dropz
  • 2018: favoRita
  • 2019: Amiga Ursa – Uma história triste, mas com final feliz
  • 2023: Rita Lee: Outra autobiografia

Selected filmography[edit]

Year Title Role Notes
1968 The Amorous Ones Singer in the nightclub
1989 Better Days Ahead Mary Shadow
1989 Top Model Belatrix
1991 Vamp Lita Ree
1995 Os Trapalhões Beauty contest photographer
1997 Sai de Baixo Scarlet Antibes
2002 Durval Discos Julieta
2006 Wood & Stock: Sexo, Orégano e Rock'n'Roll Rê Bordosa
2013 Worms Martha

Notes[edit]

  1. ^ Brazilian Portuguese pronunciation: [ˈʁitɐ li]

References[edit]

  1. ^ "Rita Lee critica a volta dos Muntantes « House of Progressive". Archived from the original on 13 February 2007. Retrieved 12 February 2019.
  2. ^ Victoria Langland, "Il est Interdit d'Interdire: The Transnational Experience of 1968 in Brazil", Estudios Interdisciplinarios de América Latina y el Caribe, Vol. 17, No. 1 (2006)
  3. ^ "Mutantes – depois de 30 anos, as mutações voltaram". Whiplash.net. Retrieved 7 October 2018.
  4. ^ "Rita Lee – Biography & History". AllMusic. Retrieved 7 October 2018.
  5. ^ a b "Albuns – Rita Lee & Tutti Frutti – the band". Archived from the original on 2 December 2013. Retrieved 19 September 2013.
  6. ^ a b Nascimento, Roberto. "Esse tal de Rock... ACERTOU" (in Portuguese). Estado de São Paulo. Archived from the original on 1 January 2013.
  7. ^ "Cliquemusic : Artista : Rita Lee" (in Portuguese). Cliquemusic.uol.com.br. Archived from the original on 8 March 2017. Retrieved 12 February 2019.
  8. ^ "All Brazilian Music: Artista: Rita Lee". Archived from the original on 5 August 2011.
  9. ^ Álvares, Débora (9 May 2023). "Rita Lee, Brazil's long-reigning Queen of Rock, dies at 75". Associated Press. Retrieved 9 May 2023.
  10. ^ "Rita Lee, rainha do rock brasileiro, morre aos 75 anos". G1 (in Brazilian Portuguese). 9 May 2023. Retrieved 9 May 2023.
  11. ^ "Rita Lee: famosos lamentam morte de cantora". G1 (in Brazilian Portuguese). 9 May 2023. Retrieved 9 May 2023.
  12. ^ "Lula lamenta morte de Rita Lee: 'Jamais será esquecida'". G1 (in Brazilian Portuguese). 9 May 2023. Retrieved 9 May 2023.

External links[edit]

Awards and achievements
Preceded by Latin Grammy Award for Best Brazilian Rock Album
2001
Succeeded by